Audio: Soundtrack Examples
Steel Resonator Guitar
SW: Reason 4, Live 7
Father Ryan's Entrance
by T. Heys for The Golden Rule
Performed by T. Heys
This began with a riff on acoustic that jumped to a steel resonator and complemented by orchestral parts.
Classical Guitar, Nashville Guitar, Lap Steel Guitar
SW: KORE, Live 7
George's Theme
by T. Heys for The Golden Rule
Performed by T. Heys & Jon Chi
A playful theme that fuses American and Mexican styles. The incredible musician Jon Chi added the lap steel and Nashville-tuned guitar.
Audio: Score Starts
DAW
SW: Reason 4
Orchestral Sketch in C
by T. Heys
A cinematic theme for violin and cellos.
DAW
SW: Live 8
Bomba
by T. Heys
A Latin piece featuring a distorted Wurlitzer and bomba percussion beat.
Acoustic Guitar
SW: Live 7
Jackalope
by T. Heys
A droning fingerstyle acoustic guitar, overlaid with some harmonics for texture.
Acoustic Guitar, DAW
SW: Live 8
Santoor and Conga
by T. Heys
A cross-cultural fusion of polyrhythmic Brazilian guitar, Indian santoor (similar to a dulcimer), Latin congas, and a drum kit.
DAW
SW: KORE, Live 8
Madrugada
by T. Heys
Inspired by Brazilian baterias (massive drum troupes popular during Carnaval) but filled out with a fat synth line.
DAW
SW: Reason 4
CyberJajouka
by T. Heys
Drone and percussion lay the foundation for a melody that utilizes a North African scale.
DAW
SW: Reason 3
Electromadist
by T. Heys
Glitchy and entirely synthetic, this selection started with James Bernard's Weird and Wonderful Refill.
DAW
SW: Reason 4
Churchy Big Beat
by T. Heys
Capitalizing on an early 90's electronic beat and then adding organ and bass.
Acoustic Guitar, DAW
SW: Live 7
Dunedin
by T. Heys
An alternate tuning on guitar provided the genesis of this tune, afterwards complemented by software instruments.
DAW
SW: Reason 3
Share the Road
by T. Heys
A triumphant rock number that started with the crunchy guitar progression.
DAW
SW: Live 8
Bingo
by T. Heys
A polyrhythmic world fusion piece, created with Live's new Collision instrument.
DAW
SW: Reason 4
Carauzau
by T. Heys
The result of an experiment, reducing a song to as few morphing variables as possible (a single Combi for the Reason geeks out there).
DAW
SW: Live 8
Tubular
by T. Heys
A spare treatment with a funky beat, spacey pad, and synthy log drum bass.